関連資料一覧:(本学所蔵)
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件名:LCSH:Musicandliterature
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| | 資料名 | キャンパス | 責任表示 | 出版者 | 出版年 | 所在 |
1 | | Black chant : languages of African-American postmodernism : hbk , : pbk ( Cambridge studies in American literature and culture ) | 南港 | Aldon Lynn Nielsen | Cambridge University Press | 1997 | 南港 1F一般書架F 931/N |
2 | | Blows like a horn : beat writing, jazz, style, and markets in the transformation of U.S. culture | 南港 | Preston Whaley, Jr | Harvard University Press | 2004 | 南港 4-311 930.29/W |
3 | | Blues, ideology, and Afro-American literature : a vernacular theory : pbk | 南港 | Houston A. Baker, Jr | University of Chicago Press | 1987 | 南港 4-309(900~999) 930.29/B |
4 | | Claude Debussy and the poets | 南港 | Arthur B. Wenk | University of California Press | 1976 | 南港 3F一般書架 762.35/D |
5 | | Embodied voices : representing female vocality in Western culture ( New perspectives in music history and criticism ) | 南港 | edited by Leslie C. Dunn and Nancy A. Jones | Cambridge University Press | 1994 | 南港 4-313(001~299、400~799) 767/E |
6 | | English Renaissance song ( Twayne's English authors series ; TEAS 424 ) | 南港 | by Edward Doughtie | Twayne Publishers | 1986 | 南港 3F一般書架 767.53/D |
7 | | Jazz text : voice and improvisation in poetry, jazz, and song | 南港 | Charles O. Hartman | Princeton University Press | 1991 | 南港 1F一般書架D 764.7/H |
8 | | Das Kokonchomonshū des Tachibana Narisue als musikgeschichtliche Quelle ( Göttinger asiatische Forschungen ; Bd. 6 ) | 南港 | von Hans Eckardt | O. Harrassowitz | 1956 | 南港 1F一般書架E 913.47/E |
9 | | Kulturgeschichte des Librettos : Opern Dichter, Operndichter ( Taschenbücher zur Musikwissenschaft ; 28 ) | 南港 | Kurt Honolka | Heinrichshofen | 1979 | 南港 3F一般書架 766/H |
10 | | Liberating voices : oral tradition in African American literature | 南港 | Gayl Jones | Harvard University Press | 1991 | 南港 4-309(900~999) 930.29/J 南港 4-311 930.29/J |
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