刊年 | 1971-1975 |
G/SMD | スコア |
形態 | 1 score (3 v.) ; 33 cm |
内容注記 | v. 1. Dalle più alte sfere : solo madrigal from the 1st intermezzo of "La pellegrina" : Florence 1589 / Antonio Archilei Per quel vago boschetto : messenger scene from "L'Euridice" : Florence 1600 / Giulio Caccini Piange ninfe : lament from "La Dafne" : Mantua 1608 / Marco da Gagliano Possente spirto : Orpheus' lament from "L'Orfeo" : Mantua 1607 / Claudio Monteverdi Partiti, move il piè : Ulysses and the suitors from "Il ritorno d'Ulisse in patria" : Venice 1641 / Claudio Monteverdi O morte gradita : Alessio's aria from "Il San Alessio" : Rome 1632 / Stefano Landi Düstere Wolken : thunderstorm scene from "Seelewig" : Nuremberg 1644 / Sigmund Theophil Staden Son quì, che, che, chiedi? : stutter scene from "Il Giasone" : Venice 1649 / Francesco Cavalli Sposa, figlio, hor è tempo : death scene from "Il Pompeo Magno" : Venice 1666 / Francesco Cavalli Ah quanto è vero : Venus' aria from "Il pomo d'oro" : Vienna 1668 / Marc' Antonio Cesti S'un Ercole amante : Ottone's aria from "L'Adelaide" : Venice 1672 / Antonio Sartorio Giosci alma mia : Gisilla's aria from "L'Adelaide" : Venice 1672 / Antonio Sartorio Voi ninfe d'amore : Fama's aria from "Antonino e Pompejano" : Venice 1677 / Antonio Sartorio Bei fioretti : Alinda's aria from "Il Candaule" : Venice 1679 / Pietro Andrea Ziani Si bella bocca : Alinda's and Candaule's aria from "Il Candaule" : Venice 1679 / Pietro Andrea Ziani Che ti feci : Candaule's aria from "Il Candaule" : Venice 1679 / Pietro Andrea Ziani Lasciami gelosia : Claudio's aria from "Messalina" : Venice 1680 / Carlo Pallavicini Voglio goder ogn'hora : Messalina's aria from "Messalina" : Venice 1680 / Carlo Pallavicini Vitaliano, il di cui nome vola : farewell scene from "Il Giustino" : Venice 1683 / Giovanni Legrenzi Komm! ach komm! O süßer Tod :Dorisbe's aria from "Orontes" : Hamburg 1678 / Johann Theile Was ist doch das menschliche Leben : from "Cara Mustapha" : Hamburg 1686 / Johann Wolfgang Franck Kanstu dieses Unrecht sehen : Bassa Ibrahim's aria from "Cara Mustapha" : Hamburg 1686 / Johann Wolfgang Franck Wiltu der Gesundheit pflegen : Barac's aria from "Cara Mustapha" : Hamburg 1686 / Johann Wolfgang Franck Bleibt immer der Schmerze, mein Herze, bei dir? : Murat's aria from "Bajazeth und Tamerlan" : Hamburg 1690 / Johann Philipp Foertsch Da mein Leben mir entweichet : Daliso's aria from "Erindo" : Hamburg 1693 / Johann Sigismund Kusser Dans le piège fatal : slumber scene from "Armide" : Paris 1686 / Jean-Baptist Lully Gott ist König auf der Welt : angels' chorus from "Nebukadnezar" : Zittau 1684 / Johann Philipp Krieger Die regia salma : ghost scene from "Servio Tullio" : Munich 1685 / Agostino Steffani Le saette del Tonante : Alarico's aria from "Alarico" : Munich 1687 / Agostino Steffani Per vostro onor un fulmine vibrate : Rosaura's aria from "La Rosaura" : Rome 1690 / Alessandro Scarlatti Chi ben ama : Termanzia's aria from "Onorio in Roma" : Venice 1692 / Carlo Francesco Pollaroli In quel piè legato ho il core : Placidia's aria from "Onorio in Roma" : Venice 1692 / Carlo Francesco Pollaroli Vacillante è il regno mio : Onorio's aria from "Onorio in Roma" : Venice 1692 / Carlo Francesco Pollaroli Suivons l'aimable paix : Termanzia's aria from "Onorio in Roma" : Venice 1692 / Carlo Francesco Pollaroli Usignoli, che cantate per amor : aria (duet) Termanzio-Onorio from "Onorio in Roma" : Venice 1692 / Carlo Francesco Pollaroli v. 2. Appearance of Venus : from Hésione (Paris 1701) / André Campra Croesus' aria : from Croesus : (Hamburg 1710) / Reinhard Keiser Silvamire's aria : from L'inganno fedele : (Hamburg 1714) / Reinhard Keiser Emma's aria : from Emma und Eginhard : (Hamburg 1728) / Georg Philipp Telemann Almirena's aria : from Rinaldo : (London 1711) / George Frederick Handel Gualtiero's aria : from La Griselda : (London 1722) / Giovanni Battista Bononcini Arianna's recitative and aria : from Il Giustino : (Rome 1724) / Antonio Vivaldi Pimpinone's aria : from Pimpinone : (Hamburg 1725) / Georg Philipp Telemann Claudius' aria : from Ludovicus Pius : (Brunswick 1726) / Georg Caspar Schürmann The beggar's opera : (London 1728). Rinaldo march / Johann Christoph Pepusch Sir John's air : from The devil to pay : (London 1731) / Mr. Seedo Ezio's recitative : from Ezio : (Naples 1730) / Johann Adolf Hasse Les Incas de Pérou : from Indes Galantes : (Paris 1735). Song to the sun / Jean-Philippe Rameau Andromaca's aria : from L'Andromaca : (Naples 1742) / Leonardo Leo Leucippo's aria : from Leucippo : (Dresden 1747) / Johann Adolf Hasse Montezuma's aria : from Montezuma : (Berlin 1755) / Carl Heinrich Graun Orfeo's aria : from Orfeo ed Euridice : (Vienna 1762) / Christoph Willibald Gluck Annette's ariette : from Annette et Lubin : (Paris 1762) / by Marie-Justine and Charles-Simon Favart ; music by Benjamin de la Borde Lieschen's song : from Die Liebe auf dem Lande : (Leipzig 1768) / Johann Adam Hiller Tagliaferro's aria : from La Buona Figluola : (Rome 1760) / Nicola Piccinni Fetonte's accompanied recitative and aria : from Fetonte : (Ludwigsburg 1768) / Niccolò Jommelli Louise's air : from Le déserteur : (Paris 1769) / Pierre-Alexandre Monsigny Aspasia's accompanied recitative and aria : from Mitridate, Rè di Ponto : (Milan 1770) / Wolfgang Amadeus Mozart Recitative of Alceste and Admetus, and Alceste's aria : from Alceste : (Wermar 1773) / Anton Schweitzer Medea : (Leipzig 1775) / Georg Benda Sophie's song : from Die Bergknappen : (Vienna 1778) / Ignaz Umlauff v. 3. La vestale : Paris 1807. Julia's arioso and recitative from act II / Gasparo Spontini La muette de Portici : Paris 1828. Scene and beginning of the finale from act II / Daniel François Esprit Auber Les Huguenots : Paris 1836. Excerpt from the finale of actIV / Giacomo Meyerbeer Joseph : Paris 1807. Joseph's aria : act I, scene 1 / Etienne Nicolas Méhul Fra Diavolo : Paris 1830. Scene with Zerline's prayer : act II, scene 10 / Daniel François Esprit Auber Dinorah (La pardon de Ploermel) : Paris 1859. Invocation scene from act I / Giacomo Meyerbeer Philémon et Baucis : Paris 1860. Beginning of act I, duet for Philémon and Baucis / Charles Gounod L'Italiana in Algeri : Venice 1813. Isabella's aria, act II / Giaocchino Rossini La sonnambula : Milan 1831. Scene and aria from act II / Vincenzo Bellini Norma : Milan 1831. Norma's prayer : from act I / Vincenzo Bellini La forza del destino : St. Petersburg 1862. Leonore-Father Guardian scene : from act II / Giuseppe Verdi La bohème : Turin 1896. Musette's waltz : from act II / Gizcomo Puccini Faust : Prague 1816. Röschen's cavatina / Louis Spohr Faust : Prague 1816. Mephisto's aria / Louis Spohr Undine : Berlin 1816. Undine's farewell : from act III / Ernst Theodor Amadeus Hoffmann Euryanthe : Vienna 1823. Lysiart's scene and aria, beginning of act II / Carl Maria von Weber Hans Sachs : Leipzig 1840. Cordula's aria : from act III / Albert Lortzing Tristan and Isolde : Munich 1865. Death of Tristan : from act III / Richard Wagner Halka : Warsaw 1858. Jontek's song : from act IV / Stanislav Moniuszko Dalibor : Prague 1868. Duet for Milada and Dalibor : from act II / Bedřich Smetana Prince Igor : St. Petersburg 1890. Chorus of the Polovtsian maidens : from act II / Alexander Borodin Sadko : Moscow 1898. Song of the Indian merchant : from the 4th tableau / Nicolai Rimsky-Korsakov
|
シリーズ名 | Anthology of music : a collection of complete musical examples illustrating the history of music ; no. 38, 39, 40
|
注記 | Italian, German, French, Polish, Czech and Russian; English translations also printed as texts Principally for solo voice(s) and piano Introduction translated from the German by Robert Kolben (v. 1-2), A.C. Howie (v. 3) |
出版国 | ドイツ=ドイツ連邦共和国 |
標題言語 | 英語 |
本文言語 | イタリア語,ドイツ語,フランス語,ポーランド語,チェコ語,ロシア語 |
著者情報 | Wolff, Hellmuth Christian
|
分類 | SMC:300011 |
NCID | BA19023708 |